"Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio"" by Umberto Giordano, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni was released on January 1, 1970. With this song being about 5 minutes long, at 4:52, "Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio"" by Umberto Giordano, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Umberto Giordano, Renata Tebaldi, Mario del Monaco, Ettore Bastianini, Fiorenza Cossotto, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni's "Giordano: Andrea Chénier" album is number 6 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 1: "Colpito qui m'avete ... Un dì all'azzura spazio" by Umberto Giordano, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
«Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Andrea Chenier: Act III: La mamma morta | Umberto Giordano, Renata Scotto, James Levine, National Philharmonic Orchestra | G Major | 1 | 9B | 88 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM |
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