"An Angel Stood by the Altar of the Temple" by Leo Sowerby, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson was released on January 3, 2006. With this song being about 5 minutes long, at 5:28, "An Angel Stood by the Altar of the Temple" by Leo Sowerby, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gloriae Dei Cantores, Elizabeth C. Patterson's "Joy & Gladness" album is number 8 out of 20. In terms of popularity, An Angel Stood by the Altar of the Temple is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Angel Stood by the Altar of the Temple by Leo Sowerby, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Popularis: IV. Sanctus | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | D Major | 2 | 10B | 92 BPM | ||
Benedictus es, Domine | Leo Sowerby, Daniel Fortune, Girls' Choir of St. Paul's Cathedral, Buffalo, Dale Adelmann | C Major | 2 | 8B | 145 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Sing of Mary, Pure and Lowly (Arr. R. Proulx for Organ & Mixed Choir) | Roland Ford Palmer, Choirs of Nashotah House Theological Seminary, Thomas Heidenreich, Geoffrey Williams | G Minor | 0 | 6A | 68 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
O God, My God | Jack Lenz Music | E♭ Major | 4 | 5B | 123 BPM | ||
Carillon | Leo Sowerby, Jeremy Filsell | A♭ Major | 0 | 4B | 82 BPM | ||
O God, the Protector of All | Leo Sowerby, Christine Helfrich, Gloriae Dei Cantores, Elizabeth C. Patterson, James Jordan | B Minor | 0 | 10A | 134 BPM |
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