Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher's '2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem' came out on October 1, 2009. The duration of 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Choral Concert: Camerata Musica Limburg - Mendelssohn, Felix / Cornelius, P. / Schubert, F. (Sacred Works for Male Choir) by Camerata Musica Limburg, Jan Schumacher. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem by Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frage, Op. 9, No. 1 | Felix Mendelssohn, Johann Gustav Droysen, Liv Glaser, Helene Wold | G Major | 0 | 9B | 86 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
Friday Afternoons, Op. 7: A New Year Carol | Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten | F Minor | 8 | 4A | 108 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
Three Shakespeare Songs: II. The Cloud-capp'd Towers | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | B♭ Major | 1 | 6B | 79 BPM | ||
Sügismaastikud: V. Tuul kõnnumaa kohal | Akademiska Damkören Lyran | A Major | 1 | 11B | 70 BPM | ||
I waited for the Lord | Felix Mendelssohn, Andrew Semple, Jonathan Chinchen, St. Paul's Cathedral Choir, Christopher Dearnley | F Minor | 1 | 4A | 71 BPM | ||
Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM |
Section: 0.5659093856811523
End: 0.5698702335357666