"Messe brève No. 7: IIa. Domine Fili unigenite" by Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig was released on January 1, 2005. The duration of Messe brève No. 7: IIa. Domine Fili unigenite is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Messe brève No. 7: IIa. Domine Fili unigenite's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 25 in Charles Gounod: Musica sacra by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Messe brève No. 7: IIa. Domine Fili unigenite's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe brève No. 7: IIa. Domine Fili unigenite by Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Salute D'Amour | Edward Elgar, Ilmar Lapinsch, Mostar Sinfonie Orchester | E Major | 1 | 12B | 128 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Norma, Акт I, Сцена 1: "Casta Diva" | Vincenzo Bellini, Ансамбль солистов Московской Государственной филармонии "Концертино", Андрей Корсаков, Виктор Козодов | A Major | 4 | 11B | 144 BPM | ||
Méditation sur le 1er Prélude de piano de J.S. Bach | Charles Gounod, Roberto Prosseda | C Major | 0 | 8B | 64 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM |
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