"Magnificat in B-Flat" by Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte was released on February 1, 1996. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Choral Music by Villiers Stanford, Noble, Jackson, Bairstow by Ely Cathedral Choir, Jeremy Filsell, Paul Trepte. Based on our statistics, Magnificat in B-Flat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat in B-Flat by Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum in B-Flat | Charles Villiers Stanford, Mark Blatchly, Barry Rose | B♭ Major | 2 | 6B | 91 BPM | ||
And I Saw a New Heaven | Edgar Leslie Bainton, The Choir of The Queen's College Oxford, Rebecca Baker, Owen Rees | G Major | 1 | 9B | 75 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Burial Sentences: VII. I Heard A Voice From Heav'n | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 177 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Spotless Rose | Ola Gjeilo, Jennifer Halliday, Lucy Hole, Alexandra Meakem, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 79 BPM | ||
The Reproaches | John Sanders, Michael Bloss, Choir of St John's, Elora, Noel Edison | G Minor | 0 | 6A | 138 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Psalm 130: Israel hoffet auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 2 | 7A | 88 BPM | ||
The Music of Living | Dan Forrest, Eastern Michigan University Choir, Brandon Johnson | D Major | 2 | 10B | 102 BPM |
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