- BPM
- 91
- Key
- B♭ Major
- Camelot
- 6B
Te Deum in B-Flat - Charles Villiers Stanford, Mark Blatchly, Barry Rose Information
- Acousticness
- 94%
- Danceability
- 18%
- Energy
- 19%
- Instrumentalness
- 22%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 8%
- Loudness
- -20.346 dB
Summary
"Te Deum in B-Flat" by Charles Villiers Stanford, Mark Blatchly, Barry Rose was released on October 15, 1994. Te Deum in B-Flat is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The song is number 7 out of 14 in Coronation Anthems & Hymns by St. Paul's Cathedral Choir, Barry Rose. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Te Deum in B-Flat is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Te Deum in B-Flat BPM
The tempo marking of Te Deum in B-Flat by Charles Villiers Stanford, Mark Blatchly, Barry Rose is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Te Deum in B-Flat Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | |
 | All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | |
 | Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | |
 | Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | |
 | Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | |
 | Miserere, Op.44: 4. Domine Deus noster-Lento. Molto espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 1 | 9B | 80 BPM | |
 | The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | |
 | Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | |
 | Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM |
- ISRC
- CH6639470207
- Label
- L-M Records/RCA Records
Section: 0.7685942649841309
End: 0.7730221748352051