"Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei" by Louis Vierne, Michel Bouvard was released on October 1, 1996. With this song being about 5 minutes long, at 4:49, "Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei" by Louis Vierne, Michel Bouvard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vierne: Messe solennelle pour deux orgues et choeur - Widor: 10ème symphonie "Romane" (Orgue A. Cavaillé-Coll Toulouse) by Michel Bouvard, Ensemble Les Eléments, Joël Suhubiette. The song's track number on the album is #5 out of 13 tracks. Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei by Louis Vierne, Michel Bouvard has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
Messe Solennelle, Op. 16: I. Kyrie | Daniel Roth, Chœur d'Oratorio de Paris, Eric Lebrun, Jean Sourisse | D♭ Minor | 2 | 12A | 64 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Panteley the Healer for mixed Chorus | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
Deutsche Messe, D. 872: IV. Zum Offertorium. Sehr langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Messe solonnelle en fa dièse mineur, Op. 16: I. Kyrie | Louis Vierne, Jonathan Oldengarm, Les Petits Chanteurs du Mont-Royal, Gilbert Patenaude, Les Chantres Musiciens, Vincent Boucher | E♭ Major | 3 | 5B | 72 BPM |
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