Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester's 'Donizetti: Lucia di Lammermoor, Act 2: "T'allontana, sciagurato" (Enrico, Arturo, Coro, Edgardo, Raimondo, Lucia)' came out on November 21, 2014. Donizetti: Lucia di Lammermoor, Act 2: "T'allontana, sciagurato" (Enrico, Arturo, Coro, Edgardo, Raimondo, Lucia) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 23 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Diana Damrau, Jesús López-Cobos, Münchener Opernorchester. Donizetti: Lucia di Lammermoor, Act 2: "T'allontana, sciagurato" (Enrico, Arturo, Coro, Edgardo, Raimondo, Lucia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Lucia di Lammermoor, Act 2: "T'allontana, sciagurato" (Enrico, Arturo, Coro, Edgardo, Raimondo, Lucia) by Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Core 'ngrato (orch. G. Chiaramello) | Salvatore Cardillo, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 136 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Mozart: Le nozze di Figaro / Act 3 - "Dove sono i bei momenti" | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 82 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM |
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