"In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 4. Eternel, Dieu de mon salut" by Frank Martin, Marga Höffgen, Ursula Buckel, Ernst Haefliger, Pierre Mollet, Jakob Stämpfli, Union Chorale, Choeur Des Dames De Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet was released on July 6, 2018. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frank Martin, Ernest Ansermet, Orchestre de la Suisse Romande's "Martin: Orchestral Works" album is number 18 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 4. Eternel, Dieu de mon salut is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax - Oratorio for 5 Soloists & Double Chorus / Part 1: 4. Eternel, Dieu de mon salut by Frank Martin, Marga Höffgen, Ursula Buckel, Ernst Haefliger, Pierre Mollet, Jakob Stämpfli, Union Chorale, Choeur Des Dames De Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passion Week, Op. 58: I. Behold, the Bridegroom | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | D♭ Minor | 1 | 12A | 130 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Unser Vater in dem Himmel | Gottfried August Homilius, Kammerchor Stuttgart, Frieder Bernius | C Minor | 1 | 5A | 76 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Holy is the True Light | William Henry Harris, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | B♭ Major | 0 | 6B | 130 BPM | ||
Notre Pere, Op. 14 | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | E Major | 0 | 12B | 109 BPM | ||
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
7 Chansons, FP 81: No. 6. Marie (Marie) | Francis Poulenc, Elora Festival Singers, Noel Edison | F Major | 1 | 7B | 77 BPM | ||
Trois danses: 1. Seguiriya | Frank Martin, Heinz Holliger, Ursula Holliger, Malcolm Latchem, Kenneth Sillito, Robert Smissen, John Heley, Christopher Laurence, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 2 | 9A | 107 BPM |
Section: 0.5822527408599854
End: 0.5860500335693359