"Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c)" by Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford was released on January 1, 1981. The duration of Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Purcell: Choral Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) by Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Overture in G Minor, Z. 772 | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
The Indian Queen, Z. 630: First Music - Second Aire | The Scholars Baroque Ensemble, Henry Purcell, John Dryden | E Major | 0 | 12B | 66 BPM | ||
Drömmarna | Accentus, Eric Ericson | E♭ Major | 1 | 5B | 99 BPM |
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