Henry Purcell, Aradia Ensemble, Kevin Mallon's 'Overture in G Minor, Z. 772' came out on September 7, 2000. The duration of Overture in G Minor, Z. 772 is about 3 minutes long, at 3:26. Based on our data, "Overture in G Minor, Z. 772" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Purcell: Tempest (The)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Overture in G Minor, Z. 772 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Overture in G Minor, Z. 772 by Henry Purcell, Aradia Ensemble, Kevin Mallon having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Concerto for 2 Oboes in C Major, RV 534: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: II. Allemanda | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 133 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Les Amants magnifiques: Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 132 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
In exitu Israel, RV 604 | Antonio Vivaldi, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concerto in D Minor, Op.7, No.4: IV. Allegro | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 1 | 12A | 175 BPM |
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