"Trois danses: 1. Seguiriya" by Frank Martin, Heinz Holliger, Ursula Holliger, Malcolm Latchem, Kenneth Sillito, Robert Smissen, John Heley, Christopher Laurence, Academy of St. Martin in the Fields, Sir Neville Marriner was released on May 1, 1993. Since Trois danses: 1. Seguiriya is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Heinz Holliger, Ursula Holliger, Aurèle Nicolet, Academy of St. Martin in the Fields, Sir Neville Marriner's "Honegger: Concerto da camera / Martinů: Oboe Concerto / Martin: Trois danses; Petite complainte; Pièce brève" album is number 1 out of 13. In terms of popularity, Trois danses: 1. Seguiriya is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trois danses: 1. Seguiriya by Frank Martin, Heinz Holliger, Ursula Holliger, Malcolm Latchem, Kenneth Sillito, Robert Smissen, John Heley, Christopher Laurence, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Virga jesse floruit, WAB 52 | Anton Bruckner, Tenebrae, Nigel Short | E Major | 1 | 12B | 132 BPM | ||
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Three Songs, Op. 42: III. Darthulas Grabesgesang | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM |
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