Francis Poulenc, Netherlands Chamber Choir's 'Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte' came out on October 3, 2012. The duration of Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "Sacred & Secular Music". In this album, this song's track order is #5. Based on our statistics, Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte by Francis Poulenc, Netherlands Chamber Choir having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 134 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Le chant des oiseaux | Clément Janequin, Concert Clemens, Carsten Seyer-Hansen | B♭ Major | 2 | 6B | 78 BPM | ||
Moro, lasso, al mio duolo, madrigal for 5 voices (Book 6), W. 6/74 | Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano | F Minor | 1 | 4A | 130 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Pueri concinite | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 87 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM |
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