"Siegfried: Act I: Vorspiel" by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #1 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Siegfried: Act I: Vorspiel is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried: Act I: Vorspiel by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 181 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Siegfried: Act I: Vorspiel being at 181 BPM, the half-time would be 90 BPM with a double-time of 362 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | G Minor | 0 | 6A | 68 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: 7. Notturno | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | E Major | 0 | 12B | 68 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: IV. Finale (Allegro, ma non troppo) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | E♭ Major | 2 | 5B | 133 BPM |
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