"Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt" by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden was released on November 9, 2018. With this song being about 5 minutes long, at 5:09, "Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt" by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Götterdämmerung, WWV 86D by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden, Eric Halfvarson, Daniel Brenna. The song's track number on the album is #6 out of 48 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Götterdämmerung, WWV 86D, Prologue: Siegfrieds Rheinfahrt being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Haltet den Räuber!" | Richard Wagner, Edda Moser, Helen Donath, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 98 BPM | ||
Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco | Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Jumping Ash: Main Title Song (arr. for violin and orchestra) | Anonymous, Chia Chang Liu, Takako Nishizaki, Hong Kong Philharmonic Orchestra, Kenneth Jean | D Minor | 2 | 7A | 137 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 83 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM |
Section: 0.6480040550231934
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