Anonymous, Chia Chang Liu, Takako Nishizaki, Hong Kong Philharmonic Orchestra, Kenneth Jean made "Jumping Ash: Main Title Song (arr. for violin and orchestra)" available on September 4, 2016. The duration of Jumping Ash: Main Title Song (arr. for violin and orchestra) is about 3 minutes long, at 3:10. Based on our data, "Jumping Ash: Main Title Song (arr. for violin and orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Anonymous, Takako Nishizaki, Hong Kong Philharmonic Orchestra, Varujan Kojian, Kenneth Jean, Henry Shek's "Hong Kong TV & Movie Classics" album is number 7 out of 13. Based on our statistics, Jumping Ash: Main Title Song (arr. for violin and orchestra)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jumping Ash: Main Title Song (arr. for violin and orchestra) by Anonymous, Chia Chang Liu, Takako Nishizaki, Hong Kong Philharmonic Orchestra, Kenneth Jean to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Wo Carstvii Tvoiem | St. Peter St. Paul Cathedral Choir of Minsk | E♭ Minor | 1 | 2A | 83 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
3 Latin Motets, Op. 38: III. Beati quorum via | Charles Villiers Stanford, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 1 | 4B | 83 BPM | ||
We Praise Thee, O God No. 4 in G Major | Lege Artis Chamber Choir, Boris Abalyan | A Major | 1 | 11B | 173 BPM | ||
How Glorious Is Our Lord In Zion | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 3 | 7B | 128 BPM | ||
Mass for the Nativity of the Virgin: II. Conduit à quatre voix "Deus misertus hominis" | Pérotin, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 69 BPM |
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