"Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto)" by Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra was released on February 2, 2009. The duration of Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 99 in Britten by Benjamin Britten, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) by Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Trittico botticelliano, P. 151: I. La primavera | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 1 | 11B | 130 BPM | ||
Symphony of Psalms: II. Expectans expectavi Dominum | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 83 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Rejoice in the Lamb, Op. 30: For the instruments are by their rhimes | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM |
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