"Cavalli: Ercole amante, Act 3, Scene 3: "Ohimè, che ascolto" (Hyllo, Ercole)" by Francesco Cavalli, Michel Corboz, Keith Lewis, Luciano Sgrizzi, Ulrik Cold, English Bach Festival Baroque Orchestra was released on July 1, 1981. With Cavalli: Ercole amante, Act 3, Scene 3: "Ohimè, che ascolto" (Hyllo, Ercole) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 39 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Cavalli: Ercole amante, Act 3, Scene 3: "Ohimè, che ascolto" (Hyllo, Ercole) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: Ercole amante, Act 3, Scene 3: "Ohimè, che ascolto" (Hyllo, Ercole) by Francesco Cavalli, Michel Corboz, Keith Lewis, Luciano Sgrizzi, Ulrik Cold, English Bach Festival Baroque Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 71 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Rosa del Ciel" (Euridice, Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 108 BPM | ||
Ciaccona (Antonio Falconiero ca. 1585-1656) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 101 BPM | ||
Giasone, Act II: Act II: Scendi, o bella, vieni al porto (Giasone, Medea) | Francesco Cavalli, David Hansen, Celeste Lazarenko, Erin Helyard, Orchestra of the Antipodes | G Major | 2 | 9B | 64 BPM | ||
Cavalli / Arr Pluhar: L'Artemisia, Act 3: "Dammi morte" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Major | 1 | 9B | 97 BPM | ||
In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM |
Section: 0.542776346206665
End: 0.5465466976165771