"Cavalli / Arr Pluhar: L'Artemisia, Act 3: "Dammi morte"" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata had its release date on October 23, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 16 in Cavalli: "L'amore innamorato" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata. In terms of popularity, Cavalli / Arr Pluhar: L'Artemisia, Act 3: "Dammi morte" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli / Arr Pluhar: L'Artemisia, Act 3: "Dammi morte" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Monteverdi: L'Orfeo, SV 318: Toccata | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | D Major | 2 | 10B | 146 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
Handel: Radamisto, HWV 12, Act 3: "Qual nave smarrita" (Radamisto) | George Frideric Handel, Philippe Jaroussky | F♯ Major | 1 | 2B | 88 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Hasse: Orfeo: "Sempre a si vaghi rai" (Orfeo) | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 176 BPM |