"Ma mère l'oye, M.60: III. Pavane de la Belle au bois dormant" by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France was released on January 1, 2012. The duration of Ma mère l'oye, M.60: III. Pavane de la Belle au bois dormant is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Ma mère l'oye, M.60: III. Pavane de la Belle au bois dormant's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Ravel : Concerto pour la main gauche, Boléro, Ma mère l'Oye, Le Tombeau de Couperin". In this album, this song's track order is #5. Ma mère l'oye, M.60: III. Pavane de la Belle au bois dormant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, M.60: III. Pavane de la Belle au bois dormant by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 2 | 1A | 110 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 1 | 7B | 89 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | ||
Cello Concerto No.1, Op.107: 4. Allegro con moto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | A♭ Major | 2 | 4B | 143 BPM | ||
Don Quixote, Op. 35: The Battle with the Sheep: Variation II | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | A Major | 2 | 11B | 126 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 1 | 9A | 81 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | D Major | 1 | 10B | 110 BPM |
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