Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet made "Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio" available on June 30, 2009. Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Faure, G.: Piano Quintets by Gabriel Fauré, Fine Arts Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio by Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 1 | 5B | 82 BPM | ||
Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Anna Im, Chiao-Ying Chang | D Major | 1 | 10B | 69 BPM | ||
Études d‘exécution transcendante, S. 139: III. Paysage | Franz Liszt, Kirill Gerstein | F Major | 0 | 7B | 80 BPM | ||
Serenade: II. Aristophanes. Allegretto | Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D♭ Major | 0 | 3B | 175 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 89 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM |
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