"Piano Concerto in C-Sharp Minor, Op. 45: III. Largo" by Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on May 7, 2003. With this song being about 5 minutes long, at 5:21, "Piano Concerto in C-Sharp Minor, Op. 45: III. Largo" by Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Beach: Piano Concerto / 'Gaelic' Symphony by Amy Beach. Piano Concerto in C-Sharp Minor, Op. 45: III. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto in C-Sharp Minor, Op. 45: III. Largo by Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Bachianas brasileiras No. 8: I. Preludio | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 2 | 8B | 81 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft | Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado | A Major | 1 | 11B | 117 BPM | ||
Violin Concerto in A minor, Op.53: 3. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | A Major | 1 | 11B | 137 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | B♭ Minor | 3 | 3A | 129 BPM | ||
Lyric Pieces Book III, Op. 43: No. 1 Butterfly | Edvard Grieg, Emil Gilels | F♯ Minor | 0 | 11A | 66 BPM |
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