"Bachianas brasileiras No. 8: I. Preludio" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. Since Bachianas brasileiras No. 8: I. Preludio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #5 out of 29 tracks. Bachianas brasileiras No. 8: I. Preludio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 8: I. Preludio by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 8: I. Preludio being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
6 Moments Musicaux, Op. 16: VI. Maestoso | Sergei Rachmaninoff, Sergei Babayan | C Major | 1 | 8B | 76 BPM | ||
Petrouchka - Version 1947 - Scene 2: Part 2 - Petrushka | Igor Stravinsky, Shibley Boyes, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 131 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai | Franz Liszt, Daniel Barenboim, Staatskapelle Berlin, Pierre Boulez | D Major | 1 | 10B | 69 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | ||
Suite bergamasque, L. 75 (Arr. for Orchestra): II. Menuet | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | E Minor | 1 | 9A | 79 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): IV. The Royal March, "Pasadoble" | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | F Major | 3 | 7B | 121 BPM | ||
Symphonies of Wind Instruments, K. 036 - 1920 Version | Igor Stravinsky, Nash Ensemble, Sir Simon Rattle | A Minor | 0 | 8A | 142 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM |
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