"Capriccio Espagnol: Variazioni" by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden was released on February 1, 1999. With this song being about 5 minutes long, at 5:11, "Capriccio Espagnol: Variazioni" by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Rimsky-Korsakov: Scheherezade". In this album, this song's track order is #15. Capriccio Espagnol: Variazioni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio Espagnol: Variazioni by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Symphony No. 1 in G Major: II. Andante | Hubert Parry, Matthias Bamert, London Philharmonic Orchestra | E♭ Major | 0 | 5B | 83 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Capriccio Espagnol, Op. 34: 3. Alborada | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 2 | 5B | 133 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
The Tale Of Tsar Saltan - Suite, Op. 57: 1. The Tsar's departure and Farewell | Nikolai Rimsky-Korsakov, Orchestre de la Suisse Romande, Ernest Ansermet | G Major | 3 | 9B | 99 BPM | ||
The Four Seasons, Violin Concerto in E Major, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Pieter Schoeman, David Parry, London Philharmonic Orchestra | E Major | 2 | 12B | 109 BPM |
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