"Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai" by Franz Liszt, Daniel Barenboim, Staatskapelle Berlin, Pierre Boulez was released on June 6, 2020. With this song being about 5 minutes long, at 5:17, "Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai" by Franz Liszt, Daniel Barenboim, Staatskapelle Berlin, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt's "Liszt: An Introduction" album is number 80 out of 98. On top of that, Germany appears to be the country where this track was created. Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai by Franz Liszt, Daniel Barenboim, Staatskapelle Berlin, Pierre Boulez to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Lieder ohne Worte, Op. 30: No. 2. Allegro di molto in B Flat Minor, MWV U 77 | Felix Mendelssohn, Daniel Barenboim | B♭ Minor | 2 | 3A | 107 BPM | ||
Études, Book 2: No. 6, Automne à Varsovie | György Ligeti, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | E Major | 5 | 12B | 134 BPM | ||
Pictures at an Exhibition: Limoges marché | Modest Mussorgsky, Evgeny Kissin | B Minor | 2 | 10A | 183 BPM | ||
Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Evgeny Kissin | A♭ Minor | 5 | 1A | 140 BPM | ||
Brahms: 4 Ballades, Op. 10: No. 3 in B Minor | Johannes Brahms, Nicholas Angelich | F Major | 1 | 7B | 92 BPM | ||
Piano Concerto No. 2 in A, S.125: I. Adagio sostenuto assai | Franz Liszt, Daniel Barenboim, Staatskapelle Berlin, Pierre Boulez | D Major | 1 | 10B | 69 BPM | ||
Études, Book 2: No. 13, L'escalier du diable | György Ligeti, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM |
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