Felix Mendelssohn, Daniel Barenboim made "Lieder ohne Worte, Op. 30: No. 2. Allegro di molto in B Flat Minor, MWV U 77" available on January 1, 1974. With Lieder ohne Worte, Op. 30: No. 2. Allegro di molto in B Flat Minor, MWV U 77 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 8 out of 58. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Lieder ohne Worte, Op. 30: No. 2. Allegro di molto in B Flat Minor, MWV U 77 is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Lieder ohne Worte, Op. 30: No. 2. Allegro di molto in B Flat Minor, MWV U 77 by Felix Mendelssohn, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Saint-Saëns: 6 Études, Op. 111: No. 1, Tierces majeures et mineures | Camille Saint-Saëns, Bertrand Chamayou | A♭ Minor | 1 | 1A | 104 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
7 Fantasien, Op. 116: No. 1 Capriccio in D Minor | Johannes Brahms, Emil Gilels | F Major | 1 | 7B | 73 BPM | ||
Fantasie In C, Op.17: 1. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legenden-Ton | Robert Schumann, Daniel Barenboim | C Minor | 0 | 5A | 100 BPM |
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