Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado's 'Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft' came out on April 1, 2016. Since Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Schumann: Cello Concerto; Piano Trio No. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. In terms of popularity, Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in A minor, op. 129: III. Finale vivace - Sehr Lebhaft by Robert Schumann, Jean-Guihen Queyras, Freiburger Barockorchester, Pablo Heras-Casado having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Suite No. 2 in D Minor BWV 1008.: IV. Sarabande | Johann Sebastian Bach, Jean-Guihen Queyras | F Major | 0 | 7B | 105 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
3 Romanzen, Op. 94: Einfach, innig | Robert Schumann, Jozsef Kiss, Jenő Jandó | A Major | 1 | 11B | 87 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM | ||
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Moderato assai quasi Andante - Thema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra | F♯ Minor | 0 | 11A | 109 BPM |
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