Années de pèlerinage I, S. 160: V. Orage
Franz Liszt, Lazar Berman
Liszt: Années de Pèlerinage
3:58 January 1, 1977
BPM
107
Key
F Minor
Camelot
4A

Embed

Share Link

Années de pèlerinage I, S. 160: V. Orage - Franz Liszt, Lazar Berman Information

Acousticness
99%
Danceability
29%
Energy
39%
Instrumentalness
89%
Liveness
16%
Loudness
73%
Speechiness
3%
Valence
30%
Popularity
Loudness
-16.164 dB

Summary

Franz Liszt, Lazar Berman's 'Années de pèlerinage I, S. 160: V. Orage' came out on January 1, 1977. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 5 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Années de pèlerinage I, S. 160: V. Orage is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Années de pèlerinage I, S. 160: V. Orage BPM

We consider the tempo marking of Années de pèlerinage I, S. 160: V. Orage by Franz Liszt, Lazar Berman to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Années de pèlerinage I, S. 160: V. Orage Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
13 Preludes, Op. 32: X. Lento by Sergei Rachmaninoff, Sergei Babayan13 Preludes, Op. 32: X. LentoSergei Rachmaninoff, Sergei BabayanE Minor09A82 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: III. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisC Major48B150 BPM
6 Pieces, Op. 94: No. 2 Nouvellette by Jean Sibelius, Håvard Gimse6 Pieces, Op. 94: No. 2 NouvelletteJean Sibelius, Håvard GimseF Major17B69 BPM
24 Préludes, Op. 28: 19. In E Flat Major by Frédéric Chopin, Ivo Pogorelich24 Préludes, Op. 28: 19. In E Flat MajorFrédéric Chopin, Ivo PogorelichB♭ Major06B99 BPM
Marchenbilder (Fairy Tales), Op. 113: III. Rasch by Robert Schumann, Tabea Zimmermann, Hartmut HöllMarchenbilder (Fairy Tales), Op. 113: III. RaschRobert Schumann, Tabea Zimmermann, Hartmut HöllF Major17B82 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinD Major310B85 BPM
Ten Pieces, Op. 24: Idyll, Op. 24: No. 6 by Jean Sibelius, Janne MertanenTen Pieces, Op. 24: Idyll, Op. 24: No. 6Jean Sibelius, Janne MertanenE Minor29A77 BPM
Piano Trio in G Minor, Op. 17: Scherzo: Tempo di Menuetto by Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea NoferiniPiano Trio in G Minor, Op. 17: Scherzo: Tempo di MenuettoClara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea NoferiniA Minor08A90 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana by Ottorino Respighi, Konstantin ScherbakovAntiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. SicilianaOttorino Respighi, Konstantin ScherbakovB Minor010A126 BPM
Images II, L. 111: 2. Et la lune descend sur le temple qui fut by Claude Debussy, Seong-Jin ChoImages II, L. 111: 2. Et la lune descend sur le temple qui futClaude Debussy, Seong-Jin ChoE Major012B135 BPM
ISRC
DEF057702765
Label
L-M Records/RCA Records

Section: 0.7159838676452637

End: 0.7221596240997314