Franz Liszt, Lazar Berman's 'Années de pèlerinage I, S. 160: V. Orage' came out on January 1, 1977. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 5 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Années de pèlerinage I, S. 160: V. Orage is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Années de pèlerinage I, S. 160: V. Orage by Franz Liszt, Lazar Berman to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Preludes, Op. 32: X. Lento | Sergei Rachmaninoff, Sergei Babayan | E Minor | 0 | 9A | 82 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
6 Pieces, Op. 94: No. 2 Nouvellette | Jean Sibelius, Håvard Gimse | F Major | 1 | 7B | 69 BPM | ||
24 Préludes, Op. 28: 19. In E Flat Major | Frédéric Chopin, Ivo Pogorelich | B♭ Major | 0 | 6B | 99 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Ten Pieces, Op. 24: Idyll, Op. 24: No. 6 | Jean Sibelius, Janne Mertanen | E Minor | 2 | 9A | 77 BPM | ||
Piano Trio in G Minor, Op. 17: Scherzo: Tempo di Menuetto | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | A Minor | 0 | 8A | 90 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
Images II, L. 111: 2. Et la lune descend sur le temple qui fut | Claude Debussy, Seong-Jin Cho | E Major | 0 | 12B | 135 BPM |
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