"Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana" by Ottorino Respighi, Konstantin Scherbakov was released on December 12, 1997. The duration of Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana is about 3 minutes long, at 3:02. Based on our data, "Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Respighi: Piano Music". In this album, this song's track order is #5. Based on our statistics, Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana by Ottorino Respighi, Konstantin Scherbakov having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Mélancolie, FP 105 | Francis Poulenc, Pascal Rogé | E♭ Minor | 1 | 2A | 58 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major: Allegretto | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
Section: 0.70823073387146
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