- BPM
- 135
- Key
- E Major
- Camelot
- 12B
Images II, L. 111: 2. Et la lune descend sur le temple qui fut - Claude Debussy, Seong-Jin Cho Information
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 0%
- Instrumentalness
- 86%
- Liveness
- 6%
- Loudness
- 35%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 17%
- Loudness
- -38.812 dB
Summary
"Images II, L. 111: 2. Et la lune descend sur le temple qui fut" by Claude Debussy, Seong-Jin Cho was released on November 17, 2017. Images II, L. 111: 2. Et la lune descend sur le temple qui fut is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 5 out of 17 in Debussy by Claude Debussy, Seong-Jin Cho. Based on our statistics, Images II, L. 111: 2. Et la lune descend sur le temple qui fut's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Images II, L. 111: 2. Et la lune descend sur le temple qui fut BPM
The tempo marking of Images II, L. 111: 2. Et la lune descend sur le temple qui fut by Claude Debussy, Seong-Jin Cho is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Images II, L. 111: 2. Et la lune descend sur le temple qui fut Key
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Sonata in G-Sharp Minor Op. 19, No. 2, "Sonata Fantasy": 1. Andante | Alexander Scriabin, Vladimir Ashkenazy | E Major | 0 | 12B | 66 BPM | |
 | Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | |
 | Piano Concerto in E-Flat Major: II. Lento espressivo | John Ireland, Bryden Thomson, London Philharmonic Orchestra, Eric Parkin | B Major | 0 | 1B | 71 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Matti Raekallio | F Minor | 2 | 4A | 62 BPM | |
 | 10 Preludes, Op. 23: No. 4 in D Major: Andante cantabile | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM | |
 | Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | |
 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6315126419067383
End: 0.6354324817657471