"Geistliche Gesänge: No. 3.: Das lied" by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max was released on September 23, 2016. The duration of Geistliche Gesänge: No. 3.: Das lied is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Geistliche Gesänge: No. 3.: Das lied's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Rheinische Kantorei, Hermann Max's "Meyerbeer: Hallelujah – The Choral Works" album is number 8 out of 13. Geistliche Gesänge: No. 3.: Das lied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Gesänge: No. 3.: Das lied by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Les Huguenots: VIII. Act II, Strette - O transport! - Live | Giacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon Botstein | G Major | 2 | 9B | 89 BPM | ||
Symphony in C: Adagio | Georges Bizet, Paavo Järvi, Orchestre de Paris | A Minor | 0 | 8A | 125 BPM | ||
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphony No. 3 in D, D.200: IV. Presto. Vivace | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | D Major | 3 | 10B | 98 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
Section: 0.7064878940582275
End: 0.7106409072875977