Geistliche Gesänge: No. 3.: Das lied
Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max
Meyerbeer: Hallelujah – The Choral Works
2:46 September 23, 2016
BPM
79
Key
D Minor
Camelot
7A

Embed

Share Link

Geistliche Gesänge: No. 3.: Das lied - Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max Information

Acousticness
99%
Danceability
25%
Energy
9%
Instrumentalness
0%
Liveness
7%
Loudness
63%
Speechiness
7%
Valence
4%
Popularity
Loudness
-22.365 dB

Summary

"Geistliche Gesänge: No. 3.: Das lied" by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max was released on September 23, 2016. The duration of Geistliche Gesänge: No. 3.: Das lied is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Geistliche Gesänge: No. 3.: Das lied's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Rheinische Kantorei, Hermann Max's "Meyerbeer: Hallelujah – The Choral Works" album is number 8 out of 13. Geistliche Gesänge: No. 3.: Das lied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Geistliche Gesänge: No. 3.: Das lied BPM

We consider the tempo marking of Geistliche Gesänge: No. 3.: Das lied by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Geistliche Gesänge: No. 3.: Das lied Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ein deutsches Requiem, Op.45: 4. Chor: Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!"Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener SingvereinE♭ Major15B130 BPM
Variations on a Theme by Haydn, Op. 56a, Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": AndanteJohannes Brahms, London Philharmonic Orchestra, Marin AlsopF♯ Major32B125 BPM
Tannhäuser, WWV 70 / Act 3: Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!"Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka SalonenF♯ Major12B177 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonJulius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonE Major012B72 BPM
Les Huguenots: VIII. Act II, Strette - O transport! - Live by Giacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon BotsteinLes Huguenots: VIII. Act II, Strette - O transport! - LiveGiacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon BotsteinG Major29B89 BPM
Symphony in C: Adagio by Georges Bizet, Paavo Järvi, Orchestre de ParisSymphony in C: AdagioGeorges Bizet, Paavo Järvi, Orchestre de ParisA Minor08A125 BPM
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcatoEdvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviA Major011B136 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Symphony No. 3 in D, D.200: IV. Presto. Vivace by Franz Schubert, Wiener Philharmoniker, Carlos KleiberSymphony No. 3 in D, D.200: IV. Presto. VivaceFranz Schubert, Wiener Philharmoniker, Carlos KleiberD Major310B98 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op. 80: 1. Prélude. Quasi AdagioGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaF Major27B98 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7064878940582275

End: 0.7106409072875977