- BPM
- 125
- Key
- A Minor
- Camelot
- 8A
Symphony in C: Adagio - Georges Bizet, Paavo Järvi, Orchestre de Paris Information
- Acousticness
- 95%
- Danceability
- 23%
- Energy
- 2%
- Instrumentalness
- 51%
- Liveness
- 7%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 19%
- Loudness
- -26.946 dB
Summary
"Symphony in C: Adagio" by Georges Bizet, Paavo Järvi, Orchestre de Paris was released on September 6, 2010. Since Symphony in C: Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Bizet : Symphony in C, Jeux d'Enfants, Roma by Georges Bizet, Paavo Järvi, Orchestre de Paris. Based on our statistics, Symphony in C: Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Symphony in C: Adagio BPM
The tempo marking of Symphony in C: Adagio by Georges Bizet, Paavo Järvi, Orchestre de Paris is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Symphony in C: Adagio Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | |
 | Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | F Major | 0 | 7B | 77 BPM | |
 | Le docteur Miracle: Scene 9: Terzetto: Dieu! son pere! (Silvio, Laurette, Le Podestat) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 2 | 7B | 134 BPM | |
 | Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | |
 | Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | |
 | Bruch: Ave Maria, Op. 61 | Max Bruch, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | A Minor | 1 | 8A | 89 BPM | |
| Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | B♭ Major | 0 | 6B | 90 BPM | |
 | Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo - Allegretto non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | A Minor | 1 | 8A | 172 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM | |
 | Havanaise, Op.83, R.202 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | E Major | 1 | 12B | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7464706897735596
End: 0.7523636817932129