"Bruch: Ave Maria, Op. 61" by Max Bruch, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra was released on October 1, 2000. Since Bruch: Ave Maria, Op. 61 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Swan". In this album, this song's track order is #10. Bruch: Ave Maria, Op. 61 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bruch: Ave Maria, Op. 61 by Max Bruch, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: II. Allegretto | Fanny Mendelssohn, Quatuor Ébène | C Minor | 3 | 5A | 151 BPM | ||
String Quartet No.2 in D: 3. Notturno | Alexander Borodin, Emerson String Quartet | A Major | 1 | 11B | 86 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: III Finale. Allegro molto | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Roméo et Juliette, Op. 17, H 79, Pt. 3: No. 6b, Invocation | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A Major | 0 | 11B | 97 BPM | ||
An die Musik, D. 547 (Op. 88/4) | Franz Schubert, Mischa Maisky, Daria Hovora | C Major | 0 | 8B | 126 BPM |
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