"Les Huguenots: VIII. Act II, Strette - O transport! - Live" by Giacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon Botstein was released on August 23, 2010. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giacomo Meyerbeer, American Symphony Orchestra, Leon Botstein's "Meyerbeer: Les Huguenots" album is number 8 out of 42. On top of that, United States appears to be the country where this track was created. Les Huguenots: VIII. Act II, Strette - O transport! - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Huguenots: VIII. Act II, Strette - O transport! - Live by Giacomo Meyerbeer, American Symphony Orchestra, Erin Morley, Marie Lenormand, Alexandra Deshorties, Michael Spyres, Andrew Schroeder, Peter Volpe, Leon Botstein to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Meyerbeer: Les Huguenots: Des beaux jours de la jeunesse - Act One | Giacomo Meyerbeer, Pedro Farres, Radio Austria Chorus, Harald Neukirch, Kurt Equiluz, Ewald Aichberger, Jaroslav Stanic | F Major | 3 | 7B | 133 BPM | ||
Les Huguenots / Act 1: Quelle étrange figure...Seigneur, rempart et seul | Giacomo Meyerbeer, Anastasios Vrenios, John Wakefield, Nicola Ghiuselev, John Gibbs, Glynne Thomas, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | C Major | 2 | 8B | 78 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Robert le diable, Act 1: "O mon prince!" (Alice) | Giacomo Meyerbeer, Carmen Giannattasio, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | B♭ Major | 1 | 6B | 165 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM |
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