"Robert le diable, Act 1: "O mon prince!" (Alice)" by Giacomo Meyerbeer, Carmen Giannattasio, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren was released on November 19, 2013. The duration of Robert le diable, Act 1: "O mon prince!" (Alice) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Robert le diable, Act 1: "O mon prince!" (Alice)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Bryan Hymel, Martial Defontaine, Carmen Giannattasio, Patrizia Ciofi, Alastair Miles, Carlo Striuli, Francesco Pittari, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren's "Meyerbeer: Robert le diable" album is number 5 out of 60. The popularity of Robert le diable, Act 1: "O mon prince!" (Alice) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robert le diable, Act 1: "O mon prince!" (Alice) by Giacomo Meyerbeer, Carmen Giannattasio, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Sinfonia In E Flat Major, Wq. 183/2, H. 664: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 4 | 11B | 89 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM |
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