On 2011, the song "Kapitel 45 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. With this song being about 5 minutes long, at 4:38, "Kapitel 45 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" by David Allen, Jürgen Kalwa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in David Allen's "Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag (Ungekürzt)" album is number 45 out of 194. Kapitel 45 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 45 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act II: Lucia, fra poco a te verrà | Gaetano Donizetti, Didier Pieri, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
Massenet: Don Quichotte, Act 1: "Allégresse ! Allégresse !" (Don Quichotte, Sancho, Chœur) | Jules Massenet, Choeur du Capitole de Toulouse - Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam, Alain Fondary, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone) | Luigi Cherubini, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | G Major | 2 | 9B | 97 BPM | ||
Las Golondrinas, Escena final, II parte: "Se reía" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Mozart: Alma grande e nobil core, K. 578 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | B♭ Major | 1 | 6B | 89 BPM | ||
Get ThIs Message | David Allen | G Major | 6 | 9B | 120 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
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