Luigi Cherubini, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano's 'Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone)' came out on 1958. The duration of Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 29 in Cherubini: Medea (1957 - Serafin) - Callas Remastered by Luigi Cherubini, Maria Callas. In terms of popularity, Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cherubini: Medea, Act I: "Or che più non vedrò" (Giasone) by Luigi Cherubini, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
Medea (Medee) (Sung in Italian): Act III: Tu Glauce piangi sol (Medea, Giasone, Chorus) | Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno | G Major | 2 | 9B | 85 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM |
Section: 1.1241734027862549
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