- BPM
- 81
- Key
- E Minor
- Camelot
- 9A
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) - Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin Information
- Acousticness
- 95%
- Danceability
- 26%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -19.568 dB
Summary
"Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia)" by Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on January 17, 2006. With this song being about 5 minutes long, at 4:35, "Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia)" by Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni's "Mascagni: Cavalleria Rusticana (Callas, Di Stefano, Serafin) (1953)" album is number 4 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) BPM
We consider the tempo marking of Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) by Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Pêcheurs de perles: De mon amie, fleur endormie (Nadir, Leïla) | Georges Bizet, Janine Micheau/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Minor | 0 | 7A | 76 BPM | |
 | Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | |
 | Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | |
 | Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 1 | 12B | 165 BPM | |
 | Tosca / Act 2: "Orsù, Tosca, parlate...Mario, consenti ch'io parli?" | Giacomo Puccini, Giuseppe Taddei, Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 98 BPM | |
 | Puccini: Madama Butterfly, Act 2: "E questo? e questo?" (Butterfly, Sharpless) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano | E Minor | 2 | 9A | 77 BPM | |
| Norma (1997 Digital Remaster), ACT 1, Scene 2: Ma di'...l'amato giovane? (Norma/Adalgisa/Pollione) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 93 BPM | |
 | Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | |
 | Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM | |
 | Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM |
- ISRC
- HKI190554804
- Label
- L-M Records/RCA Records
Section: 0.7853069305419922
End: 0.7896378040313721