"Mefistofele, Act III: L'altra notte in fondo al mare" by Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin was released on 1954. Since Mefistofele, Act III: L'altra notte in fondo al mare is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 16 in Callas, Maria: Puccini Heroines / Lyric Arias (1954) by Maria Callas, Tullio Serafin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Mefistofele, Act III: L'altra notte in fondo al mare is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele, Act III: L'altra notte in fondo al mare by Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana, Pt. 1: No. 7, Floret silva nobilis | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Ach, ich darf nicht hin zu dir! (Adele, Rosalinde, Alfred) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Lohengrin - Da Voi Lontan | Miguel Fleta | A Major | 1 | 11B | 62 BPM | ||
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Andrea Chénier / Act 4: Cittadino, men duol | Umberto Giordano, Giuseppe Morresi, Tom Krause, National Philharmonic Orchestra, Riccardo Chailly | D Minor | 0 | 7A | 110 BPM | ||
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM | ||
The Dream of Gerontius, Op. 38: No. 6, "Sanctus Fortis, Sanctus Deus" | Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 2 | 6B | 85 BPM | ||
Vesti La Guibba | Rafael Sanchez Cestero | E Major | 3 | 12B | 172 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) | Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 115 BPM |
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