- BPM
- 103
- Key
- E Major
- Camelot
- 12B
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) - Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider Information
- Acousticness
- 95%
- Danceability
- 46%
- Energy
- 20%
- Instrumentalness
- 8%
- Liveness
- 30%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 51%
- Popularity
- 6%
- Loudness
- -17.421 dB
Summary
Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider made "Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus)" available on February 4, 2014. With Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) BPM
With Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) by Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Leichtes Blut ,Polka | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Oliver von Dohnanyi | C Major | 4 | 8B | 167 BPM | |
 | Les Pêcheurs de perles: Amis, interrompez vos danses et vos jeux (Zurga, Fishermen, Nadir) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 101 BPM | |
 | Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | |
 | Pagliacci / Act 1: "Don, din, don - suona vespero" | Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 1 | 8B | 84 BPM | |
 | Die Fledermaus / Act 1: Nr.3 Duett: "Komm mit mir zum Souper" | Johann Strauss II, Bernd Weikl, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 120 BPM | |
 | Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 : Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 98 BPM | |
 | I Puritani / Act 3: Credeasi, misera! | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 86 BPM | |
 | Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrê" | Gioachino Rossini, Stefania Bonfadelli, Marie-Ange Todorovitch, Rosella Bevacqua, Marina de Liso, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | |
 | Figaro-Polka, Op. 320 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | |
 | L'elisir d'amore / Act II: "Eccola!" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 82 BPM |
- ISRC
- DEB261300078
- Label
- L-M Records/RCA Records
Section: 0.8193731307983398
End: 0.8255345821380615