"Suor Angelica: O sorelle in pio lavoro" by Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1998. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Puccini: Suor Angelica". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Suor Angelica: O sorelle in pio lavoro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suor Angelica: O sorelle in pio lavoro by Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Don Giovanni, K. 527, Act 1: "Là ci darem la mano" | Isobel Buchanan, John Pringle | A Major | 2 | 11B | 78 BPM | ||
Dixit Dominus, HWV 232: 1. Dixit Dominus | George Frideric Handel, Isobel Buchanan, Michael Chance, William Kendall, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury | D Major | 1 | 10B | 140 BPM | ||
Lohengrin (continued): Zuruck Elsa! Nicht länger will ich dulden (Ortrud) | Richard Wagner, Woldemar Nelsson, Elizabeth Connell, Bayreuth Festival Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Puccini: Turandot, Act 3: "Chi pose tanta forza nel tuo cuore?" (Turandot, Liù) | Giacomo Puccini, Antonio Pappano, Ermonela Jaho, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 126 BPM | ||
Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Minor | 0 | 4A | 169 BPM | ||
The Merry Widow / Act 1: Anna's Entrance: Gentlemen, no more | Franz Lehár, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A Major | 2 | 11B | 87 BPM | ||
Werther / Act 1: "Jésus vient de naître!" - "Charlotte! Charlotte!" - "Ah! monsieur Werther!" - "Arriver donc, Brühlmann!" | Jules Massenet, José Carreras, Frederica von Stade, Robert Lloyd, Donaldson Bell, Linda Humphries, Isobel Buchanan, Children From The Royal Opera House Production, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | C Major | 0 | 8B | 124 BPM | ||
Rodelinda, HWV 19 - Ed. Bonynge / Act 1: "Lo farò; dirò: spietato" | George Frideric Handel, Isobel Buchanan, Welsh National Opera Orchestra, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM |
Section: 0.8793246746063232
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