Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly)
Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma
Puccini: Madam Butterfly
3:37 1967
BPM
165
Key
E Major
Camelot
12B

Embed

Share Link

Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) - Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma Information

Acousticness
95%
Danceability
17%
Energy
7%
Instrumentalness
61%
Liveness
53%
Loudness
58%
Speechiness
5%
Valence
8%
Popularity
Loudness
-24.982 dB

Summary

"Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly)" by Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. The popularity of Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) BPM

With Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) by Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Bohème - Opera in four acts (1991 Digital Remaster), Act III: Addio, dolce svegliare (Mimì/Rodolfo/Marcello/Musetta) by Giacomo Puccini, Renata Scotto, James Levine, National Philharmonic OrchestraLa Bohème - Opera in four acts (1991 Digital Remaster), Act III: Addio, dolce svegliare (Mimì/Rodolfo/Marcello/Musetta)Giacomo Puccini, Renata Scotto, James Levine, National Philharmonic OrchestraF♯ Major22B86 BPM
La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui by Giuseppe Verdi, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo MutiLa traviata, Act I, Scena, Aria e Finale: Ah fors'è luiGiuseppe Verdi, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo MutiF Minor04A74 BPM
William Tell - Italian version / Act 1: William Tell - Italian version / Act 1: "Il mio giuro egli disse"Gioachino Rossini, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo ChaillyD Major410B108 BPM
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto by Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyLa Cenerentola / Act 2: Ah, signor, s'è ver che in pettoGioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyA Major211B139 BPM
Pagliacci / Act 2: Pagliacci / Act 2: "Pagliaccio, mio marito"Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe PatanèC Major08B110 BPM
Lucia di Lammermoor / Act 2: Lucia di Lammermoor / Act 2: "Ah! cedi, cedi"Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeB♭ Major26B87 BPM
Lucia di Lammermoor / Act 3: Lucia di Lammermoor / Act 3: "Si tragga altrove"Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeF Minor34A133 BPM
Lucia di Lammermoor / Act 2: Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà"Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeF♯ Minor211A81 BPM
L'Arlesiana / Act 2: L'Arlesiana / Act 2: "È la solita storia del pastore"Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola RescignoA Minor18A93 BPM
La Cenerentola / Act 2: La Cenerentola / Act 2: "Sì, ritrovarla io giuro"Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyF Major27B86 BPM
ISRC
GBAYC8600154
Label
L-M Records/RCA Records

Section: 0.5364477634429932

End: 0.5407416820526123