Ben Johnston, Robert Miller made "Sonata for Microtonal Piano: Movement II" available on January 1, 1995. With Sonata for Microtonal Piano: Movement II being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Sound Forms For Piano". In this album, this song's track order is #10. In terms of popularity, Sonata for Microtonal Piano: Movement II is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonata for Microtonal Piano: Movement II by Ben Johnston, Robert Miller having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pezzi (Su una nota sola): I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 87 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Knocking Piece | Ben Johnston, University of Illinois Contemporary Chamber Players | D Major | 7 | 10B | 136 BPM | ||
Are You Worthy | Narls | C Major | 0 | 8B | 200 BPM | ||
Eleven Intrusions I: Study on Olympos' Pentatonic | Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston | E♭ Major | 2 | 5B | 100 BPM | ||
7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 56 BPM | ||
Algobench | Barre Phillips, György Kurtág Jr. | C Major | 3 | 8B | 160 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
Threnody To the Victims of Hiroshima: Tren (Threnody), "To the Victims of Hiroshima" | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 2 | 11B | 132 BPM |
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