Eleven Intrusions I: Study on Olympos' Pentatonic
Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston
The Harry Partch Collection, Volume 1
1:20 January 1, 2004
BPM
100
Key
E♭ Major
Camelot
5B

Embed

Share Link

Eleven Intrusions I: Study on Olympos' Pentatonic - Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston Information

Acousticness
67%
Danceability
65%
Energy
18%
Instrumentalness
72%
Liveness
35%
Loudness
68%
Speechiness
4%
Valence
34%
Popularity
Loudness
-19.103 dB

Summary

Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston's 'Eleven Intrusions I: Study on Olympos' Pentatonic' came out on January 1, 2004. With Eleven Intrusions I: Study on Olympos' Pentatonic being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Harry Partch Collection, Volume 1". In this album, this song's track order is #1. In terms of popularity, Eleven Intrusions I: Study on Olympos' Pentatonic is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

Eleven Intrusions I: Study on Olympos' Pentatonic BPM

With Eleven Intrusions I: Study on Olympos' Pentatonic by Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Eleven Intrusions I: Study on Olympos' Pentatonic Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Into by WooIntoWooA♭ Major34B98 BPM
Echoes From Bali by Janet BeatEchoes From BaliJanet BeatD Major410B96 BPM
Deep Hockets by Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening BandDeep HocketsStuart Dempster, Pauline Oliveros, David Gamper, Deep Listening BandD Minor17A89 BPM
Interval Signal by Maddalena FagandiniInterval SignalMaddalena FagandiniF♯ Major22B84 BPM
Gourd Tree & Cone Gong by Harry PartchGourd Tree & Cone GongHarry PartchE♭ Major15B136 BPM
sukima by FUJI||||||||||TAsukimaFUJI||||||||||TAC Major18B138 BPM
Kontakte by Karlheinz StockhausenKontakteKarlheinz StockhausenD Major310B76 BPM
Composition 1960 No. 7 by La Monte Young, Jeroen van VeenComposition 1960 No. 7La Monte Young, Jeroen van VeenB Minor010A58 BPM
Dear World: Each Tomorrow Morning (Reprise) by Jerry Herman, Kurt Peterson, Donald Pippin, Dear World OrchestraDear World: Each Tomorrow Morning (Reprise)Jerry Herman, Kurt Peterson, Donald Pippin, Dear World OrchestraC Major28B58 BPM
String Quartet No. 8: Lazy, Rocking by Ben Johnston, Kepler QuartetString Quartet No. 8: Lazy, RockingBen Johnston, Kepler QuartetC Major28B114 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.4720165729522705

End: 0.47621607780456543