"Petite suite de concert, Op. 77: III. Un Sonnet d'Amour" by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper was released on July 25, 1995. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 18 in Coleridge-Taylor: Hiawatha Overture / Petite Suite by Samuel Coleridge-Taylor. The popularity of Petite suite de concert, Op. 77: III. Un Sonnet d'Amour is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Petite suite de concert, Op. 77: III. Un Sonnet d'Amour by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Spartacus, Act I: March of the gladiators and the Egyptian dancing girl (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | A Major | 1 | 11B | 62 BPM | ||
Partita for Violin Solo No. 1 in B Minor, BWV 1002: 4. Double. Presto | Johann Sebastian Bach, Hilary Hahn | B Minor | 5 | 10A | 144 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 3, Silk Hat and Walking Cane | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | F Major | 1 | 7B | 140 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 82 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |
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