- BPM
- 75
- Key
- B Minor
- Camelot
- 10A
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) - Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec Information
- Acousticness
- 98%
- Danceability
- 41%
- Energy
- 3%
- Instrumentalness
- 77%
- Liveness
- 12%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 30%
- Popularity
- 26%
- Loudness
- -25.6 dB
Summary
Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec's 'Petite suite, L. 65: I. En bateau (Orch. by Henri Busser)' came out on January 15, 2007. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 21 in Debussy: Orchestrations by Caplet, Ansermet, Ravel, Stokowski & Busser by Claude Debussy, Orchestre Symphonique De Québec, Yoav Talmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) BPM
The tempo marking of Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) by Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | |
 | Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | |
 | Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, London Symphony Orchestra, Pierre Monteux | F Minor | 1 | 4A | 79 BPM | |
 | Shostakovich: Fugue No. 7 In A Major | Dmitri Shostakovich, Joachim Kwetzinsky | A Major | 1 | 11B | 79 BPM | |
 | Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | |
 | La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM | |
 | String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | |
 | Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM |
- ISRC
- CAJ720737717
- Label
- L-M Records/RCA Records
Section: 0.7141132354736328
End: 0.7184877395629883