"Spitfire Prelude and Fugue" by William Walton, English Northern Philharmonia, Paul Daniel was released on March 15, 1999. Since Spitfire Prelude and Fugue is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Walton: Spitfire Prelude and Fugue / Sinfonia Concertante / Hindemith Variations by William Walton, Paul Daniel. The song's track number on the album is #1 out of 17 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Spitfire Prelude and Fugue's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Spitfire Prelude and Fugue by William Walton, English Northern Philharmonia, Paul Daniel has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Spitfire Prelude and Fugue being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Symphony No. 4, "Autochthonous": III. With a graceful lilt | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 82 BPM | ||
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
If Ever I Would Leave You [Camelot] | Frederick Loewe, Bryn Terfel, English Northern Philharmonia, Paul Daniel | B♭ Major | 2 | 6B | 111 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
No Other Love [Me and Juliet] | Richard Rodgers, Bryn Terfel, English Northern Philharmonia, Paul Daniel | E Major | 2 | 12B | 65 BPM |
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