Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin's 'Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria' came out on March 8, 1994. Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Augusta Holmès, Rheinland-Pfalz State Philharmonic Orchestra, Patrick Davin, Samuel Friedmann, Staatsphilharmonie Rheinland-Pfalz's "Holmes, A.: Orchestral Works" album is number 4 out of 5. On top of that, Hong Kong appears to be the country where this track was created. Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria by Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Tragedie de Salome, Ballet, Op. 50: Scene I | Florent Schmitt, Marie-Paule Fayt, Rheinland-Pfalz State Philharmonic Orchestra, Patrick Davin | D♭ Major | 0 | 3B | 81 BPM | ||
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
Hebriden-Tänze, Op. 70: IV. Sehr ruhig | Walter Braunfels, Tatjana Blome, Staatsphilharmonie Rheinland-Pfalz, Gregor Bühl | G Minor | 1 | 6A | 133 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Concerto in B Minor, Op. 5: I. Allegro | Franz Servais, Didier Poskin, KBS Symphony Orchestra, Patrick Davin | C Major | 0 | 8B | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Capital of the World Suite: I. The Tailor Shop | George Antheil, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens | A Major | 3 | 11B | 83 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Concerto for Harp & Orchestra in E Minor, Op. 182: Adagio | Staatsphilharmonie Rheinland-Pfalz, Xavier De Maistre, Hannu Lintu | F♯ Major | 0 | 2B | 76 BPM |
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