Oya Ergün's 'Selve amiche' came out on December 12, 2018. The duration of Selve amiche is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Selve amiche's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 11 in Baroque Lace (Antique Arias) by Oya Ergün. Going off of the ISRC code of this track, we detected that the origin of this track is from Turkey. Based on our statistics, Selve amiche's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Selve amiche by Oya Ergün is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Valentini: La clemenza di Tito, Act 2: "Se mai senti spirarti sul volto" (Sesto) | Michelangelo Valentini, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Ave maria | Oya Ergün | G Major | 7 | 9B | 140 BPM | ||
Charpentier: Auprès du feu l'on fait l'amour, H. 446 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa) | Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana | F Major | 2 | 7B | 0 BPM | ||
Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
Trois mélodies, Op. 7: No. 1, Après un rêve | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM |
Section: 0.8970866203308105
End: 0.9015240669250488