"Trois mélodies, Op. 7: No. 1, Après un rêve" by Dilyana Georgieva, Galina Apostolova was released on January 5, 2016. The duration of Trois mélodies, Op. 7: No. 1, Après un rêve is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Trois mélodies, Op. 7: No. 1, Après un rêve's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 16 in Après un rêve by Dilyana Georgieva, Galina Apostolova. Trois mélodies, Op. 7: No. 1, Après un rêve is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trois mélodies, Op. 7: No. 1, Après un rêve by Dilyana Georgieva, Galina Apostolova is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Il viaggio a Reims: All'ombra amena | Gioachino Rossini, Olga Peretyatko, Alberto Zedda, Orchestra del Teatro Comunale di Bologna | D Major | 1 | 10B | 93 BPM | ||
L’invitation au voyage | Henri Duparc, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Sento nel core | Oya Ergün | E Minor | 2 | 9A | 123 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Ô toi qui prolongeas mes jours" (Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 2 | 6B | 95 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
O mio babbino caro (From the Opera "Gianni Schicchi") | Giacomo Puccini, Narcis, Adam Klemens, Prague Philharmonic Orchestra | F Major | 7 | 7B | 111 BPM | ||
Violin Concerto: II. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 1 | 8A | 91 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM |
Section: 0.5640966892242432
End: 0.5689399242401123